Kioi Seido, Tokyo.
Kioi Seido is a distinctive Tokyo architecture landmark designed by Hiroshi Naito for the Rinri Institute of Ethics, where minimalist concrete design, geometric forms and shifting natural light create a powerful architectural experience.
Palácio da Justiça de Lisboa
The Palácio da Justiça de Lisboa is an important public building that represents Portugal’s legal system. Designed in the mid-20th century by architect João Simões, it features a strong, symmetrical design with tall columns and large stone façades. I had the opportunity to photograph the Palacio in July 2026.
Casa da Musica
Casa da Música in Porto is one of Portugal’s most striking modern buildings. Designed by Rem Koolhaas, this architecture photography guide explores its bold geometry and design.
The Kumano Kodo
In March 2024 I finally walked part of the ancient Kumano Kodo, a thousand-year-old World Heritage pilgrimage trail linking the three great shrines of Kumano through the forests of Japan’s Kii Peninsula. Dreamed up during Melbourne’s lockdowns, the quiet journey from shrine to shrine felt like stepping into a living spiritual history.
Osaka Sumo Tournament
After my Nakasendo hike I raced to Osaka for a whirlwind visit to see a Sumo tournament, relying on a ticket service to secure a seat while I was stuck on a shoot. Four hours, three trains and a very welcome hotel shower later, I made it to Edion Arena just in time to settle into a western-style seat and soak up the drama of Japan’s most iconic sport.
The Nakasendo Way
The Nakasendo Way is a beautifully preserved historic route linking old Edo to Kyoto, where towns like Magome and Tsumago still feel frozen in time, especially at dawn and dusk.
This route was recommended to me for for its mix of stunning scenery and atmospheric Edo-era villages that promised incredible photographic opportunities.
Tokyo
On my fourth visit to Tokyo in July 2024, I ditched the sightseeing checklist and let solo travel and photography guide me to entirely new corners of my favourite city in one of my favourite countries. Free to follow my intuition, I lingered where the light was right, stayed longer when a place felt alive, and discovered a new side of Tokyo.
Salt Lake City, Utah.
I spent two nights in Salt Lake City with the aim of photographing the iconic buildings of the Church of Latter Day Saints and exploring the city framed by mountains. While Temple Square was closed for renovation, the striking conference centre and historic administration buildings more than made up for it.
Bonneville Salt Flats
After leaving the red rock country of Utah, I continued west to the vast emptiness of the Bonneville Salt Flats, where the land dissolves into an endless white horizon. Standing alone on the crusted salt under a huge sky felt like stepping onto another planet, a place defined by scale, silence and the strange beauty of absolute nothingness.
Arches National Park
After my Aspen workshop I drove four hours into the Utah desert to explore Arches National Park, basing myself overnight in Moab just outside the gates. Despite the scorching heat, the crowds were light and the reward was an unforgettable landscape of towering, time-worn rock formations that felt utterly other-worldly.
‘Post Photographic Processes’ Workshop in Aspen Colorado.
In July I travelled solo to Colorado to attend a five-day workshop at Anderson Ranch Arts Center in Snowmass near Aspen, a stunning mountain retreat dedicated to art, inspiration and community. Immersed in creativity for a full week, I connected with artists from across disciplines and rediscovered the joy of focusing solely on making work in an extraordinary setting.
Woomelang Station Redevelopment
I recently worked with Davidson Architecture to document the redevelopment of Woomelang Station in the Mallee, part of VicTrack’s Community Use of Vacant Rail Buildings program. Once restored, the station will become a Mallee Makers Gallery managed by the Woomelang and District Historical Society, breathing new life into this historic rural landmark.
Overgrown Hainan Village, Thomson Nature Park, Singapore
Drawn to forgotten places, I discovered Singapore’s abandoned Hainan Village in Thomson Nature Park, a kampung founded by Hainanese immigrants in the 1930s. Once home to nearly 100 residents before being cleared in the 1980s, the site is now slowly being reclaimed by forest, its history hidden beneath the trees.
Threshold
Threshold is a five-year series capturing abandoned Victorian properties encountered on countless road trips, places still haunted by the lives they once held. Created against the backdrop of COVID lockdowns, the work reflects a state poised between decay and renewal, wondering what awaits us on the other side of confinement.
The Victorian Pride Centre
Over the past year I’ve been documenting the Victorian Pride Centre from construction through to its grand opening, capturing the birth of a landmark space celebrating and supporting Victoria’s diverse LGBTIQ+ community. What began with photographing the Night of Pride fundraiser has grown into an incredible journey, following the centre as it rose from the ground and became a vibrant hub of connection, inclusion and pride.
Abandoned Calder Park Thunderdome
I’m drawn to abandoned places, where the echoes of past lives linger in crumbling spaces like the long-forgotten Thunderdome stands at Calder Park. Visiting on New Year’s Day 2021, I found the area open and unmanaged, with fences falling away to the elements, and explored only where access was clearly already open. My approach to abandoned photography is simple: never break in, never damage or deface, and always leave a place exactly as I found it.
COVID-19 Projects
During Melbourne’s long lockdowns I began imagining a “deserted city,” blending old photos of Melbourne with the vast sand dunes of Wilsons Prom to create visions of a metropolis swallowed by time and sand. The series struck a nerve online and has inspired me to continue the story, this time exploring a city slowly coming back to life.